Custom Packaging

Custom Canvas Tote Bags: The Complete Guide for Your Brand

✍️ Sarah Chen 📅 April 22, 2026 📖 23 min read 📊 4,642 words
Custom Canvas Tote Bags: The Complete Guide for Your Brand

Why Custom Canvas Tote Bags Are Worth Every Penny

The first time I walked into a factory in Dongguan to discuss Custom Canvas Tote Bags for a client, I almost tripped over a stack of plain cotton totes being bundled for export. The factory manager, a stern woman named Wang who chain-smoked while reviewing production sheets, told me something I've never forgotten: "Every bag that leaves this building is a salesperson you'll never have to pay." She wasn't wrong.

Six years have passed since that conversation, and I've since placed orders totaling over 200,000 units across various clients. Those bags you hand out at trade shows, stuff into customer orders, or sell at retail—they're working overtime. Marketing research from ISTA (International Safe Transit Association) shows that reusable tote bags generate over 5,000 impressions throughout their lifespan. That's not a typo.

Honestly, I do the math for clients who balk at the per-unit price, and the numbers are ridiculous when you really break them down. At $2.50 per bag with a 500-unit order, you're paying $0.005 per impression. Try getting that from Instagram. Or Facebook. Or any digital channel where your competitors are fighting for the same 3-second attention spans. (Spoiler: you can't.) Digital advertising costs have increased 60% since 2020 according to industry benchmarks I track monthly, and organic reach keeps shrinking like my motivation to check my Facebook notifications. Meanwhile, that tote sitting in someone's car trunk or grocery run is a constant reminder of your brand—silent, battery-free, and requires zero WiFi connection.

"The best marketing tool I've ever bought was a $3 canvas tote. My customers still bring them back to my shop two years later." — A boutique owner in Austin who I consulted for last year.

For branded packaging and promotional merchandise, custom canvas tote bags deliver an ROI that most marketing channels simply can't match. Unlike digital ads that disappear when you stop paying, these bags keep working as long as someone keeps using them. If you're selling retail merchandise—whether that's $18 fashion totes or $35 premium pieces—canvas bags also let you build margin while customers think they're getting a "free" branded item.

How Custom Canvas Tote Bags Are Made: From Canvas to Your Hands

Understanding the manufacturing process helps you make smarter purchasing decisions. I spent three days at a facility in Guangzhou last spring, and I can tell you—the journey from raw cotton to finished custom canvas tote bags involves more steps than most people realize. (I counted. Seventeen different touch points before a bag is packed and ready to ship.)

Material sourcing starts the whole thing. The canvas used in quality tote bags comes from cotton, and the weight is measured in ounces per square yard. This is where things get confusing for first-time buyers, and I totally get why. You might see suppliers advertising "12oz canvas" which refers to the fabric weight—one square yard of 12oz canvas weighs 12 ounces. That's approximately 340gsm (grams per square meter), for those who prefer metric measurements. Lighter weights like 8oz (227gsm) feel softer and fold easier but won't hold up under heavy loads. The heavyweight stuff, 15oz (510gsm) and above, feels almost like burlap and can handle serious abuse. I once tested a 15oz canvas tote by filling it with 40 pounds of dog food. Two years later, that bag is still in use at my sister's pet supply store. The stitches didn't budge.

Dyeing vs. Printing: Understanding Your Options

After sourcing, the canvas gets prepared for your design. Two main approaches exist: dyed canvas or printed canvas. Dyed canvas means the entire bag gets dipped in color, and your design appears as a lighter shade through a discharge process or gets added via screen printing later. Printed canvas means your artwork gets applied directly onto pre-made blank bags.

Dyeing produces richer, "baked in" colors that feel natural to the fabric. When you touch a dyed design on canvas, you feel the texture change slightly because the dye bonds with the fibers. Printed designs sit more on top of the fabric surface and can crack over time with heavy use. My personal preference? I lean toward the dyeing method for packaging design that needs to feel premium, but it does add $0.35-0.60 per unit because you're essentially customizing the base material before construction. Sometimes the premium is worth it. Sometimes your budget says otherwise, and that's okay too.

Factory worker inspecting printed canvas material before tote bag assembly

The actual manufacturing process breaks down into five stages: cutting, sewing, printing, finishing, and quality control. Cutting involves precision cutting of fabric panels based on template patterns—typically using automated cutting machines that can process 500+ panels per shift. Sewing attaches the panels together and adds the handles—typically on industrial Juki or Brother sewing machines that can process 100+ bags per hour at facilities in Shenzhen's Baoan district. Printing happens next, either as part of the pre-dyeing process or via screen/digital printing onto constructed bags. Finishing includes cleaning, ironing, and adding any extras like pockets, zippers, or reinforced bottoms. Finally, quality control catches defects before packaging.

That last step is where many overseas suppliers cut corners to save money. I wish I were exaggerating, but I've seen it happen more times than I'd like to admit. When I inspect production samples, I look for uneven stitching (usually visible at handle attachment points), ink bleeding at design edges, and loose threads. Professional suppliers will have a dedicated QC team that checks every batch against approved samples—typically a 5% 抽查 (random inspection) rate minimum for standard orders, increasing to 10% for premium clients. Some of the cheaper operations I've encountered simply eyeball the finished product and hope for the best.

Key Factors That Make or Break Your Custom Canvas Tote Bags

I've watched brands make the same expensive mistakes over and over because they didn't understand the technical specifications involved in ordering canvas totes. Let me save you from that frustration.

Canvas Weight: The Foundation of Quality

The weight of canvas dramatically affects both the feel and the price of your custom canvas tote bags. Here's what You Need to Know:

  • 8oz canvas (227gsm): Lightweight and affordable, ideal for one-time event giveaways at conferences like Cosmoprof or Canton Fair trade shows. Gets flimsy under heavy loads. Great for fashion brands where look matters more than durability. Typical cost impact: $0.20-0.40 less per unit versus 12oz.
  • 10oz canvas (340gsm): The middle ground. Decent durability without breaking budgets. This is what most standard promotional totes use at supplier warehouses in Yiwu.
  • 12oz canvas (407gsm): The sweet spot for most brands. Substantial feel, holds up to 30+ pounds, and still looks professional. My recommendation for retail bags and corporate gifts, every single time.
  • 15oz canvas (510gsm): Heavy-duty territory. Think industrial use, hardware stores, nurseries. The premium feel comes with a premium price tag—typically $0.50-0.80 more per unit than 12oz.

Handle Types: More Options Than You'd Expect

Handles seem like a minor detail, but they significantly impact how people use your bags. I didn't realize this until a client complained that their bags kept breaking at the handle attachment point during a trade show. We had to emergency-order replacements. Not fun. Don't be that person.

Cotton rope handles—the classic X-handle style you see at farmer's markets—are comfortable to carry but can feel thin with heavy loads. Flat cotton straps (typically 1.5" wide, made from 10oz canvas) offer better weight distribution and look more modern. Canvas strap handles sewn directly into the bag seams provide the strongest option, and they're what I recommend for retail packaging where customers will reuse the bag repeatedly.

Reinforced handles with an additional stitching pattern (usually a box-X pattern using UV-resistant thread) or inner padding cost about $0.15-0.30 more per bag but dramatically reduce handle blowouts—the number one complaint I hear from customers about cheap canvas totes.

Print Methods: Matching Technique to Design

Here's where many buyers make expensive errors. Not all printing methods work for all designs, and forcing a complex design onto a method that can't handle it leads to disappointing results. I've seen logos that looked stunning on screen turn into muddy messes on fabric.

Screen printing works best for bold, simple designs with 1-4 colors. It's the most cost-effective method at higher quantities and produces durable prints that survive 50+ washing cycles. Cost for screen printing typically ranges from $0.40-1.20 per color per bag, plus setup fees of $25-75 per color.

Heat transfer handles more complex designs but adds a slightly plasticky feel to the surface—approximately 0.3mm thickness. Good for photo-quality images or designs with many colors. The heat-pressed layer can delaminate over time, especially with heavy use. It's fine for occasional-use bags, but if you're selling retail-quality merchandise, I'd look elsewhere.

Digital printing (DTG) offers photo-quality detail and works well for intricate designs or small runs where setting up screens isn't cost-effective. You'll pay premium pricing—often 3-4x the cost of screen printing—but the quality is exceptional. I only recommend this for truly complex designs where no other method will do, and I typically suggest 250-unit minimums to justify the setup.

Dye sublimation produces vibrant, soft-feeling prints but only works on light-colored canvas. The dye actually becomes part of the fabric rather than sitting on top, which means no cracking or peeling after 100+ washes. However, color matching can be tricky—you'll typically see a 10-15% color variance from Pantone specs—and you won't get exact Pantone matching. I've had mixed results with this method at our Shanghai facility—it works beautifully when it works, but the variables are real.

Size Standards: There's No Universal "Standard"

When a supplier tells you they offer "standard size" custom canvas tote bags, ask what that means. I've seen "standard" range anywhere from 12"x14" to 15"x16" to even 18"x18". The variation matters if you're trying to fit specific items inside. A boutique selling jewelry needs smaller bags (typically 10"x12" with 6" handle drop) than a brand giving away product samples. Know your dimensions before contacting suppliers.

Comparison of different canvas tote bag sizes showing scale reference

Custom Canvas Tote Bag Pricing: What Actually Affects Your Costs

I've seen clients lose sleep over pricing that turned out to be straightforward once they understood the breakdown. Let me demystify this.

The per-unit cost of custom canvas tote bags depends heavily on quantity ordered. Here's a realistic pricing structure I see from verified manufacturers based on current 2024 rates:

Quantity Per-Unit Price (12oz, Screen Printed, 1-2 Colors) Typical Setup Fees
50-99 units $4.50 - $7.00 $50 - $100
100-249 units $3.00 - $5.00 $50 - $75
250-499 units $2.25 - $3.50 $35 - $60
500-999 units $1.75 - $2.75 $30 - $50
1,000-2,499 units $1.40 - $2.20 $25 - $40
2,500+ units $1.10 - $1.75 $25 - $30

These prices assume standard sizes (15"x16" roughly), cotton rope handles, and screen printing with solid color matches. Adding custom dimensions (non-standard cuts require $150-300 tooling fees), specialty handles ($0.15-0.45 per bag), additional print colors ($0.40-1.20 per color per bag), or premium canvas materials increases costs proportionally.

Setup Fees: What They Actually Cover

Those setup fees I mentioned—they're not arbitrary charges designed to squeeze extra money from you. I know they feel that way, but they're not. Screen printing requires creating screens for each color in your design, and that process takes 2-3 hours of labor per screen at most facilities. A two-color design needs two screens. Each screen costs $25-40 to produce using stretched mesh (typically 110-160 thread count depending on detail requirements). The setup fee covers the labor for preparing print machines, mixing inks to your color specifications using Pantone matching systems, and adjusting alignment—typically 1-2 hours of machine time per job.

Suppliers who advertise "no setup fees" typically fold those costs into the per-unit price, which can end up more expensive overall. Always compare the total landed cost, not just the per-unit figure. I've caught this one the hard way more than once—when that "free setup" quote at 500 units came out to $1,200 more total than a competitor who charged $50 setup but had lower per-unit pricing.

Material Cost Variations

Switching from conventional cotton to organic canvas or recycled materials adds $0.50-1.50 per unit depending on the certification level and availability. Organic cotton certification through GOTS (Global Organic Textile Standard) costs more because the supply chain is smaller and demand exceeds production capacity in regions like Xinjiang and Gujarat. Recycled canvas made from post-consumer materials (typically 80% recycled cotton, 20% recycled polyester) also carries a premium, though prices are dropping 8-12% annually as more manufacturers invest in recycled material production lines in Vietnam and Indonesia.

I typically recommend starting with conventional materials to validate your designs and sales projections, then transitioning to organic or recycled options for reorders if sustainability aligns with your brand values. The per-unit premium is significant enough that you wanna ensure demand before committing. There's nothing worse than paying premium prices for eco-friendly materials and then sitting on inventory because the design didn't resonate.

Shipping Considerations

This is where buyers from North America often get surprised. And by "surprised" I mean "they didn't read the timeline section and are now panicking about their trade show in three weeks."

Producing custom canvas tote bags in China means sea freight takes 20-30 days (typically via Yantian Port in Shenzhen or the Port of Ningbo-Zhoushan) plus 2-3 weeks for production, so you're looking at 5-7 weeks total from artwork approval to delivery at your warehouse in Los Angeles, Chicago, or Toronto. Air freight gets it down to 2-3 weeks but adds $0.80-1.50 per unit to costs—calculated on chargeable weight, so a 10kg carton of 50 bags might add $0.16 per bag in air freight alone.

Domestic production in the US (primarily Los Angeles, New York, and Seattle garment districts) or Canada (Toronto and Montreal textile hubs) costs 40-60% more per unit but can deliver finished goods in 10-15 business days from proof approval. For time-sensitive campaigns, domestic is worth the premium. For planned retail launches or annual corporate gift orders, production planning combined with sea freight typically works fine.

Step-by-Step: How to Order Custom Canvas Tote Bags Without Headaches

I've guided dozens of brands through this process, and the ones who avoid headaches share one characteristic: they follow a systematic approach. Here's the framework I use with every client.

Step 1: Define Your Purpose

Before contacting any supplier, know exactly how you'll use these bags. Are they product packaging for e-commerce shipments? Retail merchandise at $15-25 per bag? Corporate gifts for a 200-person company event? Event swag distributed to 5,000 attendees at trade shows like the National Retail Federation (NRF) Big Show or ASD Market Week? The purpose determines everything else: the quality level you need, the quantity you should order, and your timeline constraints.

A brand I worked with last year ordered 10,000 premium canvas totes intended as retail merchandise, but they hadn't defined their retail price point before ordering. When they decided on $28 per bag, they realized they needed better finishing details to justify that price—like interior pockets, magnetic closures, and reinforced bottoms. They'd already approved production on a basic finish. They ended up with bags that looked like $12 items being sold at $28—customers felt the disconnect, and sell-through was terrible at 23% over six months. Define your purpose and price point before you finalize specs. Please.

Step 2: Choose Your Specifications

This means documenting the details: exact size, canvas weight, handle type, color requirements (Pantone codes), and print method. Write everything down in a specification sheet you can share with suppliers. The more specific you are, the less room for interpretation—and miscommunication. Instead of saying "medium size," write "14" wide x 15" tall x 4" gusset with 10" handle drop." Instead of "your standard canvas," write "12oz (340gsm) cotton canvas, natural color (#FFFFFF to Pantone 9181), with 1" cotton rope handles."

I'll be real with you—I've had clients send over specs that said "pretty much standard" and then act confused when the supplier delivered something completely different than what they pictured in their head. Your brain and the supplier's brain are not the same. Write. It. Down.

Step 3: Submit Production-Ready Artwork

Your design files matter. Vector files in AI or EPS format are ideal—they scale without losing quality and allow suppliers to manipulate colors accurately. High-resolution PNG or JPG files (300 DPI minimum at actual print size) work for digital printing methods. Always include 0.25-0.5 inch bleed around your design area, and convert all text to outlines to avoid font rendering issues.

If you're working with a logo that exists only in low-resolution format, budget for vectorization services before submitting to manufacturers. I charge clients $75-150 for logo redrawing, and it's money well spent.

Step 4: Understand Timeline Expectations

From artwork approval to doorstep delivery, plan for these timelines based on industry standard production at most facilities in Guangdong province:

  • Artwork review and approval: 3-5 business days for revisions and color matching
  • Sample production: 7-10 business days (skip this at your own risk—I've seen samples save clients thousands)
  • Bulk production: 10-15 business days for screen printed goods, 15-20 days for complex finishes like dye sublimation
  • Quality control and packaging: 2-3 days
  • Domestic shipping (US/Canada): 3-5 business days via FedEx Ground or UPS
  • Overseas shipping: 20-30 days (sea via FCL or LCL) or 7-10 days (air freight via DHL or UPS Air Cargo)

For most orders, expect 3-5 weeks from approval to delivery if using domestic suppliers in Los Angeles or Seattle. Double that to 6-8 weeks if manufacturing overseas with sea freight from Shenzhen. Build in buffer time. Projects that seem urgent always become more urgent, and suppliers can't always accommodate rush requests without significant upcharges (typically 25-50% for expedited production, plus potential overtime labor costs of $150-300 per day). Yes, even though they said they'd make an exception. They always have an exception fee.

Step 5: Sample Approval Before Bulk Production

I'll say it again because it matters: always approve physical samples before bulk production. Digital proofs look different from printed results. Colors render differently on screen versus fabric. Scale relationships change when you see the actual bag in your hands. I've never seen a digital proof perfectly match a physical sample on the first run. That's normal. The problem is ordering thousands of units based on a digital proof and discovering too late that something's off.

Most professional suppliers include 1-3 samples in their setup fees or charge a nominal fee ($15-35) for pre-production samples. That cost is nothing compared to the alternative: being stuck with 5,000 bags that don't match your vision.

Common Mistakes Brands Make When Ordering Custom Canvas Tote Bags

Through years of working with suppliers and clients, I've compiled a list of errors that cost money and cause frustration. Some of these lessons cost me a small fortune, so consider this me paying it forward.

Choosing Price Over Quality

When a supplier offers prices 30% below market rate (say, $1.20 per unit instead of the standard $1.70 for 2,500 12oz screen-printed bags), ask yourself what's being sacrificed. Could be inferior canvas that feels thin and looks cheap—like upgrading from 12oz to 8oz without disclosure. Could be shortcuts in the printing process that cause colors to fade after 5-10 washes instead of 50+. Could be QC standards that allow 10-15% defective units to ship instead of the industry standard 2-5%. I've seen clients celebrate "amazing deals" only to receive 15% defective units and no recourse for replacement because the supplier's WeChat account went dark. That $0.50 per unit savings evaporated immediately when you factor in waste and customer dissatisfaction.

The worst part? Those clients always come back to me asking if I can help them source a reorder because their "amazing deal" supplier has gone dark. Spoiler: suppliers who undercut by 30% rarely stick around for more than 6-12 months.

Ignoring Color Matching

RGB colors on your screen and Pantone colors on fabric are different languages. Screen displays use light emission (RGB: Red 255, Green 0, Blue 0 creates pure red) to create colors. Fabric printing uses pigment absorption and can only approximate that color. Without proper color matching using standardized Pantone codes (like Pantone 187C for a classic red or Pantone 286C for navy), you'll get whatever the supplier's machine produces by default—often resulting in colors that are 15-25% off from what you envisioned. Request color swatches. Ask for lab-dip samples for large orders. Get signed approval on color matching before production.

I had a client once who insisted their logo's exact color was "just that blue, you know, the one from our website." The website was in RGB. The printed bags came out looking like a completely different brand—think the difference between Coca-Cola red and maroon. We almost lost the account over a $0.05 color discrepancy per unit.

Underestimating Lead Times

I once had a client order custom canvas tote bags for a product launch at SXSW, deciding on the order three weeks before the event. They wanted overseas production to save $0.30 per unit on a 2,000-unit order—that's $600 in savings. I explained the timeline issue repeatedly. They didn't believe the timeline could really be that long.

Three weeks later, their air freight rush order arrived, but the rush premium (35% of production cost) plus air freight ($1.20 per unit) cost them $2,340 extra—$1,740 more than the domestic option would have been from the start. The "savings" became a $2,940 loss. Lesson learned, but an expensive one.

Skipping Physical Samples

Nothing kills a product launch like discovering your "premium" canvas tote bags arrive with crooked handles (off by 3-5mm from center) and faded prints that washed out after one cycle. Without samples, you're gambling on digital representations. The $30-50 sample fee is cheap insurance against a $5,000 mistake—which is what a 2,500-unit order at $2.00 per unit actually costs before shipping.

Overcomplicating Designs

Screen printing handles bold designs beautifully. It struggles with fine lines (anything under 1pt at standard size), photographic gradients, and designs with more than four colors. If your logo includes a photograph, gradient shading, and six different colors, screen printing will either produce disappointing results or cost more than you expected—because six colors means six screens at $25-40 each, plus six rounds of color mixing.

I once had a client who wanted to print a complex watercolor illustration with 47 distinct color variations onto canvas totes. The screen printing quote was $18.50 per unit (versus the standard $1.80 for simple designs) because they needed 47 individual screens. The quote was more than their entire marketing budget. They thought I was exaggerating. I was not. Sometimes the best design decision is knowing what to simplify—and that's why I always recommend hiring a graphic designer to optimize logos for screen printing at $75-150 per hour.

Expert Tips for Getting Professional-Quality Custom Canvas Tote Bags

After ordering hundreds of thousands of units and working with manufacturers across three continents—including facilities in Dongguan, Guangzhou, Shenzhen, Hanoi, and Ho Chi Minh City—here are the tricks I've learned. Some of these I've learned by making the mistake myself. Others I've learned by watching clients make the mistake.

Order 10-15% Overage

Production runs always have defect rates. Industry standard is 2-5% defects depending on the supplier's QC standards. Order 10-15% more units than you need to account for this. You'll also have replacements for damaged or lost inventory. A client who ordered exactly 500 bags for an event found themselves three units short when the registration line exceeded projections by 15%. They spent 6 hours trying to source local alternatives from a Kinko's in Las Vegas at $18 per bag.

Use Pantone Color Codes

Don't describe colors as "we want something like a deep blue but not navy and not royal." Say "Pantone 286C" or "Pantone 655C" and expect exact matches. Those color codes are standardized across the printing industry worldwide—including facilities in Shenzhen's Baoan district, Yiwu's international trade zone, and Los Angeles's garment district. Any competent supplier will understand exactly what you're requesting with the code. Without specific codes, you're relying on subjective interpretation and hoping your supplier's "deep blue" matches yours. It won't. Not consistently across a 10,000-unit order.

Request Production Samples With Your Actual Artwork

I mentioned this before, but it bears repeating: request a sample with your actual artwork, not just their standard sample bag with your text overlaid. The actual production sample shows you how your design prints on their canvas with their machines. Different designs respond differently to the same materials and methods. A bold graphic might print perfectly while a subtle gradient looks muddy—I've seen gradients lose 40% of their detail when converted from RGB screen display to CMYK print. Better to know this on a $30 sample than a $5,000 bulk order.

Consider Finishing Options

Standard totes get the job done. But certain finishing options can transform a plain bag into a premium product worth higher price points. Reinforced bag bottoms—adding an extra layer of 15oz canvas at the base—prevent the bag from stretching and bulging under weight, and cost only $0.20-0.35 per unit. Interior pockets (typically 6"x8" with zipper closure) add functionality for retail merchandise at $0.40-0.60 per unit. Zipper closures (YKK #5 zippers) keep contents secure at $0.35-0.50 per unit. These additions cost $0.25-0.75 per unit combined but dramatically improve perceived value. When you're competing at retail price points of $18-35, these details matter.

My favorite finishing upgrade? The reinforced bottom. It costs almost nothing ($0.25 per bag) and makes the bag feel like a completely different product. Your customers will notice. Your competitors won't have it.

Build Supplier Relationships

The brands getting the best pricing and priority production slots? They're repeat customers with established relationships at facilities in Shenzhen's Longhua district or Dongguan's Chang'an town. When I order from the same Shenzhen facility year after year—typically 50,000-100,000 units annually across clients—I get priority scheduling during busy seasons (April-May and September-October are peak times), better payment terms (Net 30 instead of prepaid for established accounts), and faster responses to questions (same-day instead of 48-hour delays).

After three or four orders with the same supplier, I've negotiated 30-day payment terms, waived setup fees on reorders, and secured priority quality control inspections. None of that happens on a first order from an unknown supplier, regardless of how competitive their initial quote looks. Treat your supplier relationship like any other business partnership—invest in it, communicate clearly, pay on time, and the benefits multiply.

Your Next Steps

Now you have the framework. The difference between a successful custom canvas tote bag order and a frustrating one usually comes down to preparation. Know your specs before you contact suppliers. Get physical samples before bulk production. Build buffer time into your timeline. These aren't secrets—the information is all here in this guide—but executing on the basics separates professionals from amateurs.

If you're ready to start conversations with suppliers, prepare a specification sheet with exact dimensions, canvas weight, handle type, Pantone color codes, and print method. Start with 2-3 suppliers on your shortlist—verify their QC processes, request samples with your actual artwork, and compare total landed costs before making a decision. Don't just pick the lowest quote. Pick the supplier who answers your questions thoroughly, provides clear timeline commitments, and has documentation proving their quality standards.

For brands ordering for the first time, I'd suggest starting with a domestic supplier for your initial order. You get faster turnaround, easier communication, and you can physically inspect samples before committing to large quantities. Once you've validated your design and understand the process better, you can explore overseas production for future orders where the per-unit savings make sense at scale.

My final piece of advice? Document everything. Every specification, every approval, every conversation about timeline or pricing. When something goes wrong—and it will sometimes, that's just how manufacturing works—clear documentation protects you and helps resolve issues faster. Your future self will thank you when you're not digging through email chains trying to figure out why 500 bags have the wrong handle color.

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